Sermon for Sunday, June 21st 2026

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National Indigenous Day of Prayer: Sunday, June 21st, 2026
Is 40:25-31; Ps 19; Phil 4:4-9; Jn 1:1-18

The heavens declare the glory of God,
and the firmament shows his handiwork

Not too long ago, there was a public dispute between the diocese of Huron—our diocese—and some Six Nations leaders about some of the documents that are held in our archives.

It’s a rather complicated and involved issue having to do with what records we hold, and access to those records, especially documents from the Mohawk Institute— the residential school that was owned and run by the New England Company, but for much of its existence, had a member of the Anglican clergy acting as principal. There is, understandably, a great desire to understand what happened at the Mohawk Institute, because some truly awful things were done to the indigenous students there.

It was a difficult moment, with many of us asking for transparency—a transparency that, as we looked more into it,  was a difficult thing to make happen largely because the diocesan records didn’t have much to them, and even though the Mohawk Institute was run by an Anglican clergyman, most of the records are in the hands of the New England Company, still based in England.

(I still wonder what we could have done, and what we could still do—but suffice to say, and to almost no one’s satisfaction, not much was shared in the end.)

I mention this because it prompted the Young(ish) Adults (who were meeting by Zoom at the time because of the pandemic) to ask Archdeacon Ros Elm— archdeacon for Reconciliation and Indigenous Ministry—to join the Zoom. What Archdeacon Ros had to say was enlightening, and very challenging. When we asked Ros what we could do, we hoped to get a list of tasks we could put our shoulder into, and be of some use—but we did not get much of a list at all. Instead, what we heard was that what we needed to do was to heal—that settler churches needed to sort themselves out first, and to get healthy.

It was advice that has stayed with me, partly because of the challenge it represents.We wanted to do good things for others, and we were asked to work on ourselves! A list of things to do would have been much easier. But it’s not the task we were given.

So what follows here today is a brief reflection on what healing might look like for us at St. John’s, considering where we are and what we are up to, especially with regard to the land and our relationship to the land.

First, though, I would like to say something briefly about the prayers and liturgy today. When I was serving a different parish, the prayers we are using today for the National Indigenous Day of Prayer were relatively new. And the parish I was serving had a good heart, and a great desire to do the right thing, but could sometimes lack some sensitivity. I won’t tell any stories here, mostly because their heart was in the right place. So when it came to National Indigenous Day of Prayer I was concerned that we would celebrate such a day with good intentions, but in such a way that turned the celebration into another form of colonialism: a colonization of indigenous spirituality, a using of prayers primarily for our own benefit, where indigenous spirituality was just another resource for us to exploit for our own sake and in our own interests.

I only tell you this in case you are concerned today about whether what we are doing is more cultural appropriation than cultural sharing. Back then though, I was reminded by the National Indigenous Archbishop at the time that these prayers are written in a spirit of sharing, and offered to the whole church to do what we are doing today. They were written by indigenous Anglicans for use in all sorts of Anglican parishes.

And this may well be a part of our own healing: in what we are doing today, in praying these prayers, we will receive in good faith from indigenous Anglicans what is being offered in a spirit of reconciliation.

As we look, as a parish, at how we might use our land, though, I would like to offer some questions about how our approach to this little patch of land given to us might contribute to our healing. And this is more exploratory than it is directive; I hope it gives some food for thought, and some possibilities for real action.

I do think we should find a way to acknowledge that the land we are on has a history, including an indigenous history. I don’t want to, though, just copy and paste the land acknowledgements that others are using. This would be a lost opportunity for us to understand how we have come to inherit this little patch of earth, and to speak specifically to the history of this little patch of earth, and to grow in understanding of what this history means for us.

I have some sense of this: we are on the Haldimand Tract, land granted to the Six Nations in 1784, land bought by the crown from the Mississauga; through some rather sketchy agreements, much of this land ended up in the hands of land speculators, including Block 2, where we are here in Kitchener; the land speculators went bankrupt, and the land was transferred into the hands of Pennsylvania Mennonites willing to farm it; from there, the diocese bought our parcel where we sit now. Through all this, the intentions of sharing the resources of this land were lost.

It’s not entirely clear to me what this all means for us, and this is partly because there isn’t a unified voice on the indigenous side of this to tell us what to do. Perhaps, at the least, we can recognise the reality,  complexity, and injustice of this, and that this would be a small start towards our own healing. And over time, with some help, I would love to craft an acknowledgement that recognises this, according to the specificity of what it means to own this little bit of land on the corner of Duke and Water.

 Another thing we could learn, and put to use as we imagine the use of our land, is to think less colonially about this bit of land. At risk of overly simplifying this, colonial understandings of land are marked by a sense of ownership and control, and that the land is not so much a living thing but a dead thing, something for us to exploit in our own interests; indigenous approaches to the land (again at risk of oversimplifying things) are marked by a sense of relationship, that the land is alive, and something not so much to be exploited or controlled, but something that is given for the sake of all generations.

And so I wonder, what if we grew into our understanding of this little bit of land as something that is far more than something we possess for our own benefit? What might it mean to imagine this bit of land as something that is not ours alone, but something given for the sake of us all, not just those whoever’s name is on the deed?

I say this partly because this may be a way for us to grow into a healthy relation with others, and with the land itself, and part of our own healing; but I say this too because this would be much closer to understanding the land, including this little patch of it, in a more Biblical way. Because the land, in the Bible, is not a dead thing existing simply to offer up resources to us. The land is, instead, alive with God’s own intention, something we hear in the Psalm appointed for today. The land lives and rejoices, alive with God’s intention: “The heavens declare the glory of God, and the firmament shows his handiwork.”

This is far from a description of a world there for us to exploit for our own purposes; the land, including this small patch of it, is there for God’s purpose of wholeness and right relationship: right relationship with the land itself, right relationship with God and with others. Not a possession, but a gift given for the sake of our well-being, and for the good of all—for the good of this generation, and the generations that are to come.

Baptismal Service

Creed

Celebrant
Do you believe in God the Father?

People
I believe in God,
The Father almighty,
creator of heaven and earth.

Celebrant
Do you believe in Jesus Christ, the Son of God?

People
I believe in Jesus Christ, his only Son, our Lord.
He was conceived by the power of the Holy Spirit
and born of the Virgin Mary.
He suffered under Pontius Pilate,
was crucified, died, and was buried.
He descended to the dead.
On the third day he rose again.
He ascended into heaven,
and is seated at the right hand of the Father.
He will come again
to judge the living and the dead.

Celebrant
Do you believe in God the Holy Spirit?

People
I believe in God the Holy Spirit,
the holy catholic Church,
the communion of saints,
the forgiveness of sins,
the resurrection of the body,
and the life everlasting.

Covenant

Celebrant
Will you continue in the apostles’ teaching and fellowship, in the breaking of bread, and in the prayers?

People 
I will, with God’ s help.

Celebrant
Will you persevere in resisting evil and, whenever you fall into sin, repent and return to the Lord?

People
I will, with God’ s help.

Celebrant
Will you proclaim by word and example the good news of God in Christ?

People
I will, with God’ s help.

Celebrant
Will you seek and serve Christ in all persons, loving your neighbour as yourself?

People 
I will, with God’ s help.

Celebrant
Will you strive for justice and peace among all people, and respect the dignity of every human being?

People
I will, with God’ s help.

Celebrant
Will you strive to safeguard the integrity of God’s creation, and respect, sustain and renew the life of the Earth?

People
I will, with God’s help.

Angus Sinclair

Angus Sinclair was appointed Director of Music of St. John the Evangelist on February 1, 2023. Having graduated in 1981 (Honours B.Mus.) in organ performance from Wilfrid Laurier University, he went on to distinguish himself as a church musician, recitalist and accompanist touring in both Canada and the UK. For over 40 years Angus has served parishes and congregations throughout Southwestern Ontario as director of music. He experiences his present appointment to St. John’s as a welcome homecoming, both spiritually and musically.

At St. John’s, Angus is able to indulge his love for Anglican liturgy and the Anglican choral tradition by directing our dedicated choir in preparing service music and masterworks from St. John’s extensive choral library. Angus’s own repertoire of organ music allows him to enrich worship at St. John’s with countless voluntaries spanning centuries of the church music tradition. Angus has also composed music in several different genres, and is an accomplished improviser.

 As our parish musician, he provides both support and leadership so that a variety of parish programs can find musical expression and attract participation. When our handbell choir is in season, he is one of our ringers. At parish dinners, he provides popular piano music for the guests to dine by. For both worship services and concerts, he will rehearse and accompany vocal and instrumental soloists from our congregation on piano, organ, or even accordion.

Audiences throughout Canada recognize Angus as the accompanist for The Three Cantors whose concerts and CDs raised over $1 million between 1997 to 2016 for the Huron Hunger Fund/Primate’s World Relief and Development Fund, now named Alongside Hope. For their outstanding service to the Church, Angus and The Three Cantors (William Cliff, David Pickett, and Peter Wall) each received Honorary Senior Fellowships from Renison College (UW) and Honorary Doctor of Divinity (DD) degrees from Huron University College (Western University).

Beyond St. John’s, Angus frequently accompanies mezzo-soprano Autumn Debassige in concert, and on the fourth Sunday of each month (September through June), he serves as the duty organist at Evensong for the Choir of St. George’s Anglican Church, London, Andrew Keegan Mackriell, Conductor. Two or three times a year, Angus is the assisting organist for concerts given by the Parry Sound Choral Collective, William McArton, Conductor.

In collaboration with our rector, Angus is responsible for the design of worship at St. John’s. His duties include programming music, service playing for regular liturgies and occasional services, and directing our choir, in addition to working with a variety of soloists, instrumentalists and ensembles.)

The Rev. André Lavergne CWA, Assistant Priest

As an Honorary Assistant, André preaches occasionally at worship and assists in various ministries as opportunities arise. André maintains a Rota of lay people to read and pray at worship, together with a schedule of people to write the Prayers of the People for Sundays and occasional services.

Ordained in the Evangelical Lutheran Church in Canada (ELCIC) in 1980, André has served Lutheran parishes in Baden, Mannheim and New Hamburg. He has served as national Worship officer for the ELCIC and, for the last decade of his working career, served as Ecumenical and Interfaith officer while also staffing the ELCIC’s Faith Order and Doctrine Committee.

In 2006, André received the Eastern Synod’s Leadership Award for Exemplary Service and in 2016 he was named a Companion of the Worship Arts (CWA).

Since 2014, André and his wife, Barbara, have resided in Waterloo where they tend a garden and welcome friends and family.

The Rev. Dr. Eileen Scully, Assistant Priest

Eileen Scully was baptized at St. John the Evangelist, confirmed, sang in the choir as an adolescent, and was married here. She then went off into some ecumenical wanderings and theological studies before returning to the parish recently as an honorary assistant. She has a PhD in Systematic Theology from St. Michael’s College, Toronto and taught for a time. 

Eileen works for the General Synod, the national body of The Anglican Church of Canada, as Director of Faith, Worship, and Ministry, keeping office space at St John’s for that work during the week. She works principally in liturgical development, helping to create resources for worship, including new liturgical texts, and connects with Anglicans across the country in networks to support ministry and Christian formation. 

Eileen was ordained deacon in 2009 and priested in 2010.

The Rev. Scott McLeod

Scott is the Chaplain at Renison College at the University of Waterloo. He was ordained and started working in parish ministry in the Anglican Church in 2005 on the West Coast of Canada in Victoria, BC, in the Diocese of BC. After completing a curacy and serving in a few parishes as rector, part of a team ministry and as associate at the Cathedral, Scott and his family moved to Niagara. He continued in parish ministry and served as associate priest for seven years at St. George’s in St. Catharines, before moving to Kitchener and starting at Renison in February 2022.

Scott studied Theology at the Vancouver School of Theology in Vancouver, BC, and before that did his undergraduate studies in Toronto at UofT completing a Bachelor of Music, Performance degree specializing in Jazz music.

The Ven. Ken Cardwell, Assistant Priest

As an Honorary Assistant Ken assists with worship services and preaches on occasion.

Ken is a graduate of Hamilton Teachers’ College, McMaster University, and Huron College. Ken retired in 2003 after 34 years as a parish priest in the Dioceses of Niagara, Keewatin and Moosonee. He also served as Archdeacon of Brock. For ten years after retirement Ken served in a number of Interim Ministry positions for parishes in transition. Ken and his wife Sarah moved to Kitchener in 2013.

The Reverend James Brown, Assistant Priest

As an Honorary Assistant, James preaches and presides occasionally at worship, and chairs the Stewardship Working Group. During the six months of Preston’s sabbatical in 2024, he served as Deputy Rector.

Ordained in the Evangelical Lutheran Church in Canada in 1991, James served Lutheran parishes in Stratford and Waterloo until his retirement in 2015. As part of a summer exchange with the Rev. Glenn Chestnutt, he was licensed by the West Paisley Presbytery and the Church of Scotland to serve the congregation of St. John’s, Gourock, UK from 2010-2016. In 2019-2020, he served as Interim Priest-in-Charge of St. Columba Anglican Church, Waterloo.

A lifelong, self-confessed ecumaniac, James is Chair of the Steering Committee of Christians Together Waterloo Region (successor organization to the Kitchener-Waterloo Council of Churches). For 27 years, he served as an on-call chaplain at Grand River Hospital, now named Waterloo Regional Health Network @ Midtown.

James’ first career was also in the Church. For 25 years he was organist or director of music for churches in London, St. Thomas, Brantford, and Kitchener.

James and his wife, Paula, live in Baden, Ontario.

Autumn Debassige, Parish Administrator

Autumn Debassige has served as St. John’s Parish Administrator since 2023, bringing years of service-oriented and management experience to this important role. Aside from her administrative duties for us, Autumn is a professional mezzo-soprano soloist and alto chorister. Visit her website to learn more!)

Angus Sinclair, Director of Music

Angus Sinclair was appointed Director of Music of St. John the Evangelist on February 1, 2023. Having graduated in 1981 (Honours B.Mus.) in organ performance from Wilfrid Laurier University, he went on to distinguish himself as a church musician, recitalist and accompanist touring in both Canada and the UK. For over 40 years Angus has served parishes and congregations throughout Southwestern Ontario as director of music. He experiences his present appointment to St. John’s as a welcome homecoming, both spiritually and musically.

At St. John’s, Angus is able to indulge his love for Anglican liturgy and the Anglican choral tradition by directing our dedicated choir in preparing service music and masterworks from St. John’s extensive choral library. Angus’s own repertoire of organ music allows him to enrich worship at St. John’s with countless voluntaries spanning centuries of the church music tradition. Angus has also composed music in several different genres, and is an accomplished improviser.

As our parish musician, he provides both support and leadership so that a variety of parish programs can find musical expression and attract participation. When our handbell choir is in season, he is one of our ringers. At parish dinners, he provides popular piano music for the guests to dine by. For both worship services and concerts, he will rehearse and accompany vocal and instrumental soloists from our congregation on piano, organ, or even accordion.

Audiences throughout Canada recognize Angus as the accompanist for The Three Cantors whose concerts and CDs raised over $1 million between 1997 to 2016 for the Huron Hunger Fund/Primate’s World Relief and Development Fund, now named Alongside Hope. For their outstanding service to the Church, Angus and The Three Cantors (William Cliff, David Pickett, and Peter Wall) each received Honorary Senior Fellowships from Renison College (UW) and Honorary Doctor of Divinity (DD) degrees from Huron University College (Western University).

Beyond St. John’s, Angus frequently accompanies mezzo-soprano Autumn Debassige in concert, and on the fourth Sunday of each month (September through June), he serves as the duty organist at Evensong for the Choir of St. George’s Anglican Church, London, Andrew Keegan Mackriell, Conductor. Two or three times a year, Angus is the assisting organist for concerts given by the Parry Sound Choral Collective, William McArton, Conductor.

In collaboration with our rector, Angus is responsible for the design of worship at St. John’s. His duties include programming music, service playing for regular liturgies and occasional services, and directing our choir, in addition to working with a variety of soloists, instrumentalists and ensembles.

The Rev. Canon Preston Parsons, PhD, Rector

After working in youth and camping ministry in Winnipeg and Northwestern Ontario, Preston began his training for the priesthood in Berkeley California in 2001. Following his ordinations in 2004 and 2005, Preston served as a hospital chaplain in Sacramento, California; not long after, he was appointed to St. Mary Magdalene, a multi-cultural parish in the south end of Winnipeg.

In 2012, Preston moved to England, where he pursued a PhD in Christian Theology at the University of Cambridge, while serving as Priest Vicar at St. John’s College, and Director of Studies at Westminster College.

Preston moved to Waterloo in 2017 with his wife, Karen Sunabacka, who took a position as Associate Professor of Music at Conrad Grebel University College.