Good Friday, 2025: The Celebration of the Lord’s Passion
ISAIAH 52:13-53:12; PSALM 22; HEBREWS 4:14-16, 5:7-9; JOHN 18:1-19:42

let us therefore approach the throne of grace with boldness

Cicero, the Roman statesman and lawyer, didn’t want Roman citizens to be at all concerned about crucifixions; he didn’t want Roman citizens to think about them, see them, or hear about them. They were a trauma meant not for the ruling class, but rather for the ruled. “Let the very word ‘cross’ be far removed from not only the bodies of Roman citizens,” he wrote, “but even from their thoughts, their eyes, and their ears.”

Crucifixions weren’t uncommon things. The Romans, over time and across the empire, crucified between one hundred thousand and one hundred and fifty thousand people. Closer to Jerusalem, Pilate was known for his willingness to have people crucified from time to time; during uprisings and rebellions in Judea, thousands were crucified at once, and recently enough to Jesus’s own crucifixion, and to the writing of the Gospels, that there would certainly have been living memories, and stories shared, about them.

And this was the point. They were meant to be a spectacle, with the condemned led through the busiest of streets, with the crucifixions themselves happening just outside the city gates where the last moments of agonizing death would have been easy to see, and difficult to avoid. Crucifixions were a death sentence for the condemned, and for everyone else—except the Romans themselves—it was psychological warfare. The brutality was meant to traumatize, and to keep the masses in their place.

This intentional trauma, and the intentional spectacle of the crucifixion comes to mind as we imagine the road that Jesus takes, carrying his cross through, and then outside Jerusalem—the road from the Praetorium to Golgotha—partly because we have to use our imagination for this particular portion of the Passion. Matthew, Mark, and Luke tell us of Simon of Cyrene, who takes up Jesus’s cross for him; Luke tells the story of the Daughters of Jerusalem, wailing, and a rather composed Jesus giving a short sermon; Luke also mentions that the two who were crucified with Jesus, were led away with him. And John says the least: “So they took Jesus;  and carrying the cross by himself, he went out to what is called The Place of the Skull, which in Hebrew is called Golgotha.”

It’s almost as if this part didn’t need much description, except for the details that would’ve made this journey unique. And it didn’t need much description because people already knew what it was like for someone to be led to Golgotha, having seen it, or having heard the hushed stories from other witnesses. Maybe this is a small remnant of the fact that this was so traumatizing, and such a shameful thing for the crucified and the companions of the crucified, that it was simply something  that you really didn’t want to talk about with others.

Certainly some would go out to jeer at the condemned person, but it’s also not hard to imagine, once word was out that a crucifixion was about to happen, that householders that had intended to go to the market that day, stayed home instead; it’s not hard to imagine that people took a different route home from work in order to avoid seeing such a traumatizing thing; Cicero gives the impression that a Roman citizen  might well feel like they could ask the colonial administration to make sure the route taken by the crucified didn’t pass by their home. I mean, think of the Roman children—they shouldn’t have to see that, should they? Crucifixions are meant for others, it’s the subjugated that should see that, after all; they are the ones that need to be frightened into obedience to the state.

It’s entirely possible, by the way, that I’m projecting some of our own sensibilities, our own gentrification, onto a time when it doesn’t belong. Jerusalem isn’t Kitchener; and the route of the crucified isn’t quite the one taken from House of Friendship to St. John’s Kitchen. But there are some similarities here, there is something here about seeing and hearing people who are suffering. The ways in which we often don’t want to see, and sometimes try to avoid the poor, and those in distress. And so we try to create a world in which we don’t have to bear witness to the fact of suffering.

As much as the route from the Praetorium to Golgotha doesn’t get much attention from our Gospel writers, the rest of the Passion sure does. For a man that lived into his early thirties, we hear relatively little about the rest of Jesus’s life; the gospels cover Jesus’s growing up, and to the small handful of years of ministry, but they aren’t dwelt upon. Not like they dwell on the final days of Jesus, reserving about a third of the Gospel story to the Passion.

It’s as though the Gospel writers wanted the Passion to be the centre of our meditation on Jesus; despite the shame felt by so many of the disciples early on, by the time the significance of the cross is understood we are encouraged not to look away, but rather to look directly upon the suffering Jesus; we are not to stop our ears, but to open them,

again and again, precisely to this part of the story of God in Christ. In this way, the Gospels are an intentional training of the mind, of our eyes, and of our ears upon a moment of suffering. It is a moment we are encouraged not to avoid, but rather we are encouraged, especially today, to stop; to see; to hear.

We do have one benefit over those first disciples, as we train our minds, our eyes, and ears on the cross. We know how it ends. And in knowing how it ends, we can see both what really is—that there is suffering, that there is pain, and that death is real—but also that this suffering, pain, and death aren’t the end.

I served a church in Belvedere, California, and it had this huge cross over the altar. We called it Superman Jesus because he was dressed in blue with a red cape—it was the victorious Jesus, with only small hints of suffering. And I understand the tradition of the empty cross—in saying that Jesus is not in perpetual suffering, but has in fact, he has been resurrected. That “He is not here.”

But I can’t help but think that such images don’t tell us enough. Because the resurrected Jesus, even the ascended Jesus, is never anything less than the crucified Jesus—and that this is in fact what we are training ourselves to see: the reality, not just of Jesus’s own suffering, but of human suffering, including the suffering of the marginalized, the poor, the ones in pain and close to death, and the political prisoners

suffering at the hands of capricious overlords.

And part of the training of our minds, eyes, and ears helps us to realize that two things are true at once: that suffering and death are real; and that suffering is not the end. That the capricious overlords do truly cause suffering, and attempt to bend others to their will through that suffering; but also that the capricious overlords do not get the last word. It is a way of thinking, and seeing, and hearing in faith—in the hope of things yet unseen, in confidence that even here, death does not win. That this is the true way of the world: not suffering without victory, or victory without suffering. But rather that two things are true at once, that there is such a thing as a suffering victory, and a victorious suffering.

And we can, with confidence now, not looking away from suffering, not taking a different route to the market, not staying home to avoid the pain of others—but that in seeing it, and hearing it, we can know that this road does not lead simply to death, but to hope. A hope wrought in the self-offering of the Son of God, and that in this act of self-giving, we see what God in Christ is willing to accomplish: a love poured out for us, for our sake, and the for the sake of a world in great pain.

The Revd Canon Preston DS Parsons, PhD

Baptismal Service

Creed

Celebrant
Do you believe in God the Father?

People
I believe in God,
The Father almighty,
creator of heaven and earth.

Celebrant
Do you believe in Jesus Christ, the Son of God?

People
I believe in Jesus Christ, his only Son, our Lord.
He was conceived by the power of the Holy Spirit
and born of the Virgin Mary.
He suffered under Pontius Pilate,
was crucified, died, and was buried.
He descended to the dead.
On the third day he rose again.
He ascended into heaven,
and is seated at the right hand of the Father.
He will come again
to judge the living and the dead.

Celebrant
Do you believe in God the Holy Spirit?

People
I believe in God the Holy Spirit,
the holy catholic Church,
the communion of saints,
the forgiveness of sins,
the resurrection of the body,
and the life everlasting.

Covenant

Celebrant
Will you continue in the apostles’ teaching and fellowship, in the breaking of bread, and in the prayers?

People 
I will, with God’ s help.

Celebrant
Will you persevere in resisting evil and, whenever you fall into sin, repent and return to the Lord?

People
I will, with God’ s help.

Celebrant
Will you proclaim by word and example the good news of God in Christ?

People
I will, with God’ s help.

Celebrant
Will you seek and serve Christ in all persons, loving your neighbour as yourself?

People 
I will, with God’ s help.

Celebrant
Will you strive for justice and peace among all people, and respect the dignity of every human being?

People
I will, with God’ s help.

Celebrant
Will you strive to safeguard the integrity of God’s creation, and respect, sustain and renew the life of the Earth?

People
I will, with God’s help.

Angus Sinclair

Angus Sinclair was appointed Director of Music of St. John the Evangelist on February 1, 2023. Having graduated in 1981 (Honours B.Mus.) in organ performance from Wilfrid Laurier University, he went on to distinguish himself as a church musician, recitalist and accompanist touring in both Canada and the UK. For over 40 years Angus has served parishes and congregations throughout Southwestern Ontario as director of music. He experiences his present appointment to St. John’s as a welcome homecoming, both spiritually and musically.

At St. John’s, Angus is able to indulge his love for Anglican liturgy and the Anglican choral tradition by directing our dedicated choir in preparing service music and masterworks from St. John’s extensive choral library. Angus’s own repertoire of organ music allows him to enrich worship at St. John’s with countless voluntaries spanning centuries of the church music tradition. Angus has also composed music in several different genres, and is an accomplished improviser.

 As our parish musician, he provides both support and leadership so that a variety of parish programs can find musical expression and attract participation. When our handbell choir is in season, he is one of our ringers. At parish dinners, he provides popular piano music for the guests to dine by. For both worship services and concerts, he will rehearse and accompany vocal and instrumental soloists from our congregation on piano, organ, or even accordion.

Audiences throughout Canada recognize Angus as the accompanist for The Three Cantors whose concerts and CDs raised over $1 million between 1997 to 2016 for the Huron Hunger Fund/Primate’s World Relief and Development Fund, now named Alongside Hope. For their outstanding service to the Church, Angus and The Three Cantors (William Cliff, David Pickett, and Peter Wall) each received Honorary Senior Fellowships from Renison College (UW) and Honorary Doctor of Divinity (DD) degrees from Huron University College (Western University).

Beyond St. John’s, Angus frequently accompanies mezzo-soprano Autumn Debassige in concert, and on the fourth Sunday of each month (September through June), he serves as the duty organist at Evensong for the Choir of St. George’s Anglican Church, London, Andrew Keegan Mackriell, Conductor. Two or three times a year, Angus is the assisting organist for concerts given by the Parry Sound Choral Collective, William McArton, Conductor.

In collaboration with our rector, Angus is responsible for the design of worship at St. John’s. His duties include programming music, service playing for regular liturgies and occasional services, and directing our choir, in addition to working with a variety of soloists, instrumentalists and ensembles.)

The Rev. André Lavergne CWA, Assistant Priest

As an Honorary Assistant, André preaches occasionally at worship and assists in various ministries as opportunities arise. André maintains a Rota of lay people to read and pray at worship, together with a schedule of people to write the Prayers of the People for Sundays and occasional services.

Ordained in the Evangelical Lutheran Church in Canada (ELCIC) in 1980, André has served Lutheran parishes in Baden, Mannheim and New Hamburg. He has served as national Worship officer for the ELCIC and, for the last decade of his working career, served as Ecumenical and Interfaith officer while also staffing the ELCIC’s Faith Order and Doctrine Committee.

In 2006, André received the Eastern Synod’s Leadership Award for Exemplary Service and in 2016 he was named a Companion of the Worship Arts (CWA).

Since 2014, André and his wife, Barbara, have resided in Waterloo where they tend a garden and welcome friends and family.

The Rev. Dr. Eileen Scully, Assistant Priest

Eileen Scully was baptized at St. John the Evangelist, confirmed, sang in the choir as an adolescent, and was married here. She then went off into some ecumenical wanderings and theological studies before returning to the parish recently as an honorary assistant. She has a PhD in Systematic Theology from St. Michael’s College, Toronto and taught for a time. 

Eileen works for the General Synod, the national body of The Anglican Church of Canada, as Director of Faith, Worship, and Ministry, keeping office space at St John’s for that work during the week. She works principally in liturgical development, helping to create resources for worship, including new liturgical texts, and connects with Anglicans across the country in networks to support ministry and Christian formation. 

Eileen was ordained deacon in 2009 and priested in 2010.

The Rev. Scott McLeod

Scott is the Chaplain at Renison College at the University of Waterloo. He was ordained and started working in parish ministry in the Anglican Church in 2005 on the West Coast of Canada in Victoria, BC, in the Diocese of BC. After completing a curacy and serving in a few parishes as rector, part of a team ministry and as associate at the Cathedral, Scott and his family moved to Niagara. He continued in parish ministry and served as associate priest for seven years at St. George’s in St. Catharines, before moving to Kitchener and starting at Renison in February 2022.

Scott studied Theology at the Vancouver School of Theology in Vancouver, BC, and before that did his undergraduate studies in Toronto at UofT completing a Bachelor of Music, Performance degree specializing in Jazz music.

The Ven. Ken Cardwell, Assistant Priest

As an Honorary Assistant Ken assists with worship services and preaches on occasion.

Ken is a graduate of Hamilton Teachers’ College, McMaster University, and Huron College. Ken retired in 2003 after 34 years as a parish priest in the Dioceses of Niagara, Keewatin and Moosonee. He also served as Archdeacon of Brock. For ten years after retirement Ken served in a number of Interim Ministry positions for parishes in transition. Ken and his wife Sarah moved to Kitchener in 2013.

The Reverend James Brown, Assistant Priest

As an Honorary Assistant, James preaches and presides occasionally at worship, and chairs the Stewardship Working Group. During the six months of Preston’s sabbatical in 2024, he served as Deputy Rector.

Ordained in the Evangelical Lutheran Church in Canada in 1991, James served Lutheran parishes in Stratford and Waterloo until his retirement in 2015. As part of a summer exchange with the Rev. Glenn Chestnutt, he was licensed by the West Paisley Presbytery and the Church of Scotland to serve the congregation of St. John’s, Gourock, UK from 2010-2016. In 2019-2020, he served as Interim Priest-in-Charge of St. Columba Anglican Church, Waterloo.

A lifelong, self-confessed ecumaniac, James is Chair of the Steering Committee of Christians Together Waterloo Region (successor organization to the Kitchener-Waterloo Council of Churches). For 27 years, he served as an on-call chaplain at Grand River Hospital, now named Waterloo Regional Health Network @ Midtown.

James’ first career was also in the Church. For 25 years he was organist or director of music for churches in London, St. Thomas, Brantford, and Kitchener.

James and his wife, Paula, live in Baden, Ontario.

Autumn Debassige, Parish Administrator

Autumn Debassige has served as St. John’s Parish Administrator since 2023, bringing years of service-oriented and management experience to this important role. Aside from her administrative duties for us, Autumn is a professional mezzo-soprano soloist and alto chorister. Visit her website to learn more!)

Angus Sinclair, Director of Music

Angus Sinclair was appointed Director of Music of St. John the Evangelist on February 1, 2023. Having graduated in 1981 (Honours B.Mus.) in organ performance from Wilfrid Laurier University, he went on to distinguish himself as a church musician, recitalist and accompanist touring in both Canada and the UK. For over 40 years Angus has served parishes and congregations throughout Southwestern Ontario as director of music. He experiences his present appointment to St. John’s as a welcome homecoming, both spiritually and musically.

At St. John’s, Angus is able to indulge his love for Anglican liturgy and the Anglican choral tradition by directing our dedicated choir in preparing service music and masterworks from St. John’s extensive choral library. Angus’s own repertoire of organ music allows him to enrich worship at St. John’s with countless voluntaries spanning centuries of the church music tradition. Angus has also composed music in several different genres, and is an accomplished improviser.

As our parish musician, he provides both support and leadership so that a variety of parish programs can find musical expression and attract participation. When our handbell choir is in season, he is one of our ringers. At parish dinners, he provides popular piano music for the guests to dine by. For both worship services and concerts, he will rehearse and accompany vocal and instrumental soloists from our congregation on piano, organ, or even accordion.

Audiences throughout Canada recognize Angus as the accompanist for The Three Cantors whose concerts and CDs raised over $1 million between 1997 to 2016 for the Huron Hunger Fund/Primate’s World Relief and Development Fund, now named Alongside Hope. For their outstanding service to the Church, Angus and The Three Cantors (William Cliff, David Pickett, and Peter Wall) each received Honorary Senior Fellowships from Renison College (UW) and Honorary Doctor of Divinity (DD) degrees from Huron University College (Western University).

Beyond St. John’s, Angus frequently accompanies mezzo-soprano Autumn Debassige in concert, and on the fourth Sunday of each month (September through June), he serves as the duty organist at Evensong for the Choir of St. George’s Anglican Church, London, Andrew Keegan Mackriell, Conductor. Two or three times a year, Angus is the assisting organist for concerts given by the Parry Sound Choral Collective, William McArton, Conductor.

In collaboration with our rector, Angus is responsible for the design of worship at St. John’s. His duties include programming music, service playing for regular liturgies and occasional services, and directing our choir, in addition to working with a variety of soloists, instrumentalists and ensembles.

The Rev. Canon Preston Parsons, PhD, Rector

After working in youth and camping ministry in Winnipeg and Northwestern Ontario, Preston began his training for the priesthood in Berkeley California in 2001. Following his ordinations in 2004 and 2005, Preston served as a hospital chaplain in Sacramento, California; not long after, he was appointed to St. Mary Magdalene, a multi-cultural parish in the south end of Winnipeg.

In 2012, Preston moved to England, where he pursued a PhD in Christian Theology at the University of Cambridge, while serving as Priest Vicar at St. John’s College, and Director of Studies at Westminster College.

Preston moved to Waterloo in 2017 with his wife, Karen Sunabacka, who took a position as Associate Professor of Music at Conrad Grebel University College.